Episode #173: Producer/Engineer Trevor Muzzy

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Known for working primarily with RedOne, Grammy nominated Engineer and Mixer, Trevor Muzz (Lady Gaga, Jennifer Lopez, Pitbull, Enrique Iglesias, MIKA, Nicole Scherzinger, Mary J. Blige, Usher, AKON, Nicki Minaj) sits down with Dave and Herb on the 173rd episode of Pensado’s Place.

Episode #172: Producer Howard Benson

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Grammy-nominated music producer Howard Benson (Hoobastank, Rascal Flatts, Flyleaf, Less Than Jake, Three Days Grace, Relient K, Papa Roach, Head Automatica, and Saosin) joins Dave and Herb on the 172nd episode of Pensado’s Place.

New Ways To Mix Reverb

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Dave shows you some new ways to use reverb to get the most out of your vocal tracks.

The Pensado Awards

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The Pensado Awards were held on June 28th 2014 at the Fairmont Miramar Hotel in Santa Monica, CA.

Mastering Techniques For Better Dynamics

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Dave shows you some simple tricks to use while mastering your music to preserve dynamics and give your tracks a better feel.

Pensado Awards Wrap Up and Thanks


Dave and Herb are joined by Cole Nystrom, Chongor Goncz, Brian Petersen, and Jonathan Deans to thank all those who helped make the Pensado Awards (which will be posted July 10th) a reality!

Episode #169: Producer Teddy Riley

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Singer-songwriter, engineer, and music producer (Michael Jackson, Bobby Brown, Doug E. Fresh, Keith Sweat, Heavy D., Usher) and Blackstreet founding member, Teddy Riley joins Dave and Herb on the 169th episode of Pensado’s Place.

Episode #168: Producer Ben Grosse

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Producer and Mix Engineer Ben Grosse (Marilyn Manson, Sevendust, Disturbed, Breaking Benjamin, Thirty Seconds to Mars, Underoath) joins Dave and Herb on the 168th episode of Pensado’s Place.

Episode #167: Mix Engineer Steve Genewick

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Two-time GRAMMY-nominated tracking and mix engineer Steve Genewick joins Dave and Herb on the 167th episode of Pensado’s Place.

Mixing Vocals With Multiple Delays

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Dave shows you how using multiple delays on a vocal and adjusting by ear can give your delays a better feel in the mix than simply timing them with the BPM of the track.



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